A growth operator shaped by sport, writing, independent art and youth culture. 一个由运动、写作、独立艺术和青年文化共同塑造的增长操盘手。

I did not grow out of a neat job title. I started running projects in college, shooting promotional films and microfilms for government and commercial clients, making visual design work, and turning a student team into a small business with RMB 1M annual revenue by graduation. 我不是从一个规整的岗位长出来的人。大二开始创业，给政府和商业客户拍宣传片、微电影，也做平面设计；毕业那年，学生团队已经做到年营收 100 万。

Before growth funnels and AI workflows, I learned rhythm from training. I was captain of the university swimming team, won the 100m breaststroke at provincial and university-level competitions, and kept badminton as another way to understand repetition, pressure and feedback. 在增长漏斗和 AI 工作流之前，我先从训练里理解节奏。我做过校游泳队队长，拿过省级和校级 100 米蛙泳冠军；羽毛球也一直在打，它们让我对重复、压力和反馈非常敏感。

Writing, Hip-Hop, film and youth culture gave me another operating system. I made the independent film 96' House, joined screenings and exhibitions, wrote fiction, and later built youth-culture projects around performance, memory and emotional rituals. 写作、Hip-Hop、电影和青年文化，是另一套系统。我拍过独立电影《96号房间》，参加过影展和艺术展，写小说，也做过围绕表演、记忆和情绪仪式的青年文化项目。

That is why my commercial work does not begin with traffic alone. I care about the story, the object, the community, the conversion path and the production machine behind it. AI is now the newest layer of that machine. 所以我做商业项目时，不会只从流量开始。我会同时看故事、产品、社群、转化路径，以及背后的生产机器。AI 是这台机器里最新的一层。